Saturday, 22 July 2023

Rest easy.

      Hello and welcome, reader.

At peaceful Pajama Flats, it’s so far been a languid summer. Despite the now and again smoke from lingering but distant wildfires. 

My latest period of restoration continues. Buckle up, and let’s see if I’m any less squirrelly than the last time out. Here we go.

I want to blame the seasonal nature of farming, but it's likely sports that started the training camp mentality that still governs my habits. Because, you know, each of them had one, and I played hockey and baseball early, and football through high school. Then, boxing and its regular series of eight-week regimes, starting in the amateurs, further ingrained it.

So, when later forced to adapt to project based work in first the blue, and then white collared worlds, it proved easy enough to manage. Likewise, my long career as a touring music artist further exploited the same early training. As does my life as a novelist, today.

Anyway, that's my story. When or if asked about my taste for nowadays staying close to home, after a lifetime of near unbroken travel, I mean. Much of my life’s work, of course, exploited the capacity for putting on a thousand-yard-stare. While chasing ends claimed to be found only along some never-ending highway.

I know, too, that doing my thing often looks like canine fornication. But really, I’ve spent most of my time either in or out of training for something. As, likewise, nowadays I spend most of it, training to write novels.

If you’ve wondered, the answer is yes. The blog is part of the training. And much like keeping fit, its long-term effects are often overlooked. Because life is a whole experience, where nothing happens to one without impact to all.

And from the style in which every writer lives come the pages on which they must write.

Lucky for me, life as a novelist exploits the love for solitude needed to handle the routine boredom of my early adventures. Because writing novels is a lot like life on the road.

That is, it's months of daily boredom followed by too few hours of extreme excitement. After years of unknown practice.

Something like that, anyway. And in each case, a few months working at it leaves a man needing a long rest.

For all that, writing novels is easily the most satisfying of my pursuits. Though, like anything else, there's a price to pay for success.

With music, it was non-stop touring and recording for years on end. While with novels, it's even more time spent alone. Again, for years. This time, while dissecting one's grasp of reality.

Of course, in print, one is denied not only movement, but the feedback of a live audience so vital to music's visceral appeal.

C'est la vie.

Did I mention how I'm known to be a serious pita when at work? At various times, the derogatory term of 'Princess' has been applied to me and my behavior. Even when going well, it can make me plenty cranky, too. Big fun to be around, I'm told.

For those new to the local shorthand, ‘pita’ is code for pain-in-the-ass, here.

By now, a lifetime of writing has convinced me that being alone is vital to the process. In fact, I think it could be the most important part of being a writer. That's the truth of my recluse’s life. I believe keeping a certain distance between me and the world is best for the writing.

And everything done before was to give me the chance to do this now. It was a simple dream. Each day, I'm extremely grateful to live it.

Of course, I think of it as work, and approach it that way, too. I always have. Though doing my best, every time, on either the page or the stage, to make art.

Also, my health nowadays makes travel mostly a pita, for me, too. By car, I'm limited to an hour or so. With no guarantee of being ready to go on arrival. While my distaste for flying is such that I will no longer do it, unless given sums of money, none will pay to see either me or Harwill. Add my diet and herbal meds to the mix, and one gets how traveling isn’t worth the trouble.

Not only that, but keeping the overhead down eases life on a writer’s wages. Just don’t get the wrong idea, because I’m no hermit, and that’s a fact, too. My private life is not only rich, but as satisfying as a man could imagine.

Why, just a few weeks back, a brother from another mother was out to visit. He’s ten years behind me, but also well traveled. And like always, it was good to hang out and pick a few tunes. We wiled away some hours, playing our favorites old and new, and talked of now and then missing the stage. Because like any pair of shore-bound but once wandering pirates, we both sometimes miss the sea.

And, if pressed, it’s likely we’d both admit to missing the treasure. But it wasn’t long before we shared a smile of mutual knowledge.

This life deal is about phases, and finding different stages, and we both know that.

All the same, not long after he left, I caught myself thinking about how many people I've already seen for the last time. Then, I wondered if such thoughts are common to old folks.

After that, I thought about the untold bacteria spread among the countless neurons most of us think of as the self. And the ongoing research that daily changes what we think of as reality. Which shortly led to ideas made for people with minds beyond my paygrade.

Like relativity, the spacetime continuum, and things made possible only by quantum mechanics.

Such thoughts are too maudlin for me. And not just because I’m an ignoramus, either. Though I won’t deny being far too ignorant to do the math needed to manage those ideas.

I don’t write code, either, though I was long ago trained in the basics of it. As usual, I won’t deny the rather pedestrian limits of my grey matter in keeping me from that.

Anyway, while impressed by such things, learning to do them myself held little appeal. As the world turned, that’s a damned shame, too. Because there’s gold aplenty in them thar’ hills.

Let’s call it a road not taken. And once again, C’est la vie.

From here, it often looks like this writing stuff has mostly ever sought to keep me from a life of wealth and privilege. Of the material type, that is.

But rest your concerns, reader. For there are surely treasures found among these countless words that live in no other place. And to their writer, they’re worth far more than gold. Nor have I written truer words than those, and that’s a fact.

By now, I’ve learned such things are rare. And perhaps even so fine they exceed the power of words to describe them. Though I cannot yet say, for sure.

Meantime, there’s more to do.

For me, that means more time alone. Because in-between is when it happens. The hours at the keyboard, like those once spent in a studio, are transcribing. Those in-between times are when things get made. Here, as near as I can tell, that’s how it works.

Of course, I could be wrong, too. I mean, all I’ve got to show for doing things this way are the results. For better and worse, they speak for themselves. And just between us, beyond a few simple methods, I don’t really know either where it comes from or how it gets done.

I never have.

As near as I can tell, it’s innate. And I’ve always thought of it as a kind of magic. Though, true enough, over the years, I’ve built methods and learned ways to encourage it to show up. I’ve learned to be ready for work when it gets here, too. By now, it looks to many like I’m in control of what some call a talent. Lucky for me, I know better.

It’s a fire. And my job is to keep it burning.

See, I’ve always known I was a writer. I learned to read while quite young, and at once felt the world speak to me through the words printed on a page. Likewise, song lyrics ever tugged at my heart, perhaps even more than on my ears. And so, since boyhood, I’ve heeded the call. To learn and practice. To grow and change. To try, and to try again. Only after many years was the true nature of writing at last revealed.

All good writing is rewriting. From concept, through assembly, to finished product, this simple truth holds. All good writing is rewriting.

Just as, for a writer, there should be few limits on anything else. I include methods on that list of else’s, by the way, and not just experience.

But most important, is the rewriting.

Here, the three draft method takes three passes to make a first draft. And the same amount to write a second. Plus, the same again to ready a third one for editing.

And much like an athlete training for a season, or a songwriter going on tour, a writer needs to be in peak form to do their best work. As only by sticking to a dull routine of daily practice can any of them eventually reveal the true limit of their talents.

Though, as with all things, they must accept and deal with the effects of random chance. Otherwise known as luck.

For there are no sure things.

Daily training readies each of them, as much as possible however, for the known tasks common to their pursuits. From there, it’s a matter of staying the course. For only then can what stands in the way become it.

Even here, training rules apply.

I think it’s a good habit for a writer to write often, too. If not daily, then at least five or six times per week. And it doesn’t have to be much. Because even a few words are enough to keep one’s writing muscles in shape.

Not only that, but it’s as easy to pick up a good habit as a bad one.

Again, for me, since the long-ago days of my youth, despite injury and illness, fitness training is a much-loved routine.

And just in case it’s not clear, what you’re reading here is me not writing. Thus, my editor’s pencil isn’t so sharp. Nor the constraints too strictly applied.

But, and for many years before I was a working writer, I wrote notes to myself. Sometimes, they amounted to the next day’s to-do lists. At others, they included a sentence or a verse. As time went on, a few paragraphs joined my list of private accounts.

Nowadays, because it’s my livelihood, I’ve plenty of reasons to write. So, on most days, you’ll find me at the keyboard. But on many others, I make notes with the smartphone. Not only when I’m working on a manuscript, or a magazine column, or as a writing coach, either. Because as much as I love writing, I need all the practice I can get.

Though most of what I write is seen by none but me.

In those ways, if in few others, I’m like every writer who’s ever lived.

And it turns out old Papa Hemingway was right about one thing, and that’s for sure. Every writer should know it, too. Because if you claim to want to write about life, you’ve got to live it first.

That’s all.

With writing, you can rest easy, because aside from that, everything else is horseshit.

Thanks for being here. And for sharing this with anyone you think might like to read it.

-                   TFP

       July 22, 2023

Monday, 3 July 2023

What happens next.

     Hello and welcome, reader.

It’s good to be here. And I hope you enjoy reading today’s musings as much or more than I did writing them for you. Here we go.

Though I’ve had far more than my share of it, I’m always surprised by how quickly time passes when one is having fun. And as I’ve been writing fiction, I didn’t notice how long a while had passed since my last post here, either.

That’s mostly because, when writing a manuscript, I try my best to live the story along with its characters. And that makes me even weirder than otherwise. Which, on its own, is plenty weird enough for many people, and far too much for most others. Or so I’ve been told.

Now, near enough to three months since Things I Can’t Change came out, the rush of early success has moved on to the next batch of new books released on Amazon. And though pleased to have made it to #3 in Canada among new releases, I’m a wee bit disappointed, too.

And maybe at last convinced that traditional publishing is the better way to go.

Ten or so years ago, when planning to leave Harwill and the music business behind, I spent a few years shopping for an agent. I also queried a half dozen small publishers who were then open to direct submits.

Though I can’t remember the exact number, I wrote and sent many dozens of query emails. Most of them went without reply. But I searched both far and wide. I spent about three years doing it. Sadly, for me, the few replies were much the same. Though often commended for the quality of my prose, the common response was that my stuff was unlikely to sell in great enough quantities to make publishing it worthwhile.

But as usual, I persisted, and even got to make a few pitches, as I tried to make things happen the traditional way.

Of course, next to the rejections came a few compliments, along with suggested changes to make my first novel more saleable. Things like, set it on Mars, or add a few zombies, or better yet, make the hero a vampire. All of which, no surprise, I found unpalatable.

An unnamed agent suggested indie publishing.

Despite many cautions from people both inside and outside the industry, I checked it out. Then, with the support of equally stubborn friends, we launched Solitary Press as a print-on-demand imprint. With the help of Amazon’s platform, we now publish my novels that way.

While surely pleased by the results, there’s a long way to go.

Because from here, it looks like I’ve done a whale of a job proving how well the world’s literary agents and publishers know their business. And after publishing seven novels, I fear losing the interest of those few people supporting my work.

For me, the pertinent questions are: What’s the writer to do when his best isn’t good enough? Give up and stop writing? Press on, and stay true to his convictions, no matter the cost? Or change what’s written to something believed accessible to more readers? After all, one definition of insanity is continuing to do the same thing while expecting a different result.

What is the writer to do?

Now, most times, when confronted by either difficulty or failure, I tend to persevere. Mainly because I believe the road to success leads through that stuff. Not only that, but if a few setbacks are enough to keep a man from chasing his dreams, then it’s likely they didn’t belong to him.

And my hunch is, the answer to those questions can only be found by writing another novel.

Which doesn’t mean I’m planning to do the same thing but expecting a different result. Though I’m not denying any insanity claims. I’ve always been one of ‘those people’, and have never much cared who knew it.

Truth is, I’ve always believed the madness was necessary to my art.

Once again, I digress.

So, instead of wasting more time asking myself a bunch of questions whose answers I didn’t know, I spent the last few months writing a first draft of my next novel. Mostly because writing keeps me from stressing out about book sales.

Though I surely accept, to paraphrase the old master, that all first drafts are shite. If only because I know they’re necessary.

Anyway, the first draft of my latest new manuscript is done. As usual, I’m pleased to finish it. I hope it’s eventually a better novel than my last one.

But this time, I’m not sure what happens next.

I don’t mean that literally. As usual, I’ll apply the three draft method. First, a break of a few months, followed by writing a second draft. Then, repeat for a third one. After that, it’s rounds of copy and line editing, followed by proofreading, artwork, and setup.

Blah, blah, blah. My writing method is dependable enough.

What most concerns me is everything else.

Because, plainly, what I know about either marketing or selling books is somewhere between little and nothing. And maybe the novels deserve better than the support I’ve given them. Though I can’t be sure about that.

It’s as much a control issue as anything else.

Apparently, I’m not good at taking editorial direction.

Plus, I’ve got a bunch of style issues. Things like my heavy use of sentence fragments, the split infinitive, and refusal to end a sentence with a preposition. Grammar choices like these drive editors crazy.

Not to mention my continued focus on depicting the minutia of life’s happenstance among the downtrodden.

I have not been, nor ever will be, sorry for the fact I’m an uncompromising mofo. Here, as ever, it’s my way, or the highway.

Despite knowing all that, or maybe because of it, I’m not getting back on the find-an-agent merry-go-round again.

The truth is, since we started Solitary Press, I’ve been unwilling to make even small press submissions. The same goes for both agents and major trad publishers. From here, it looks a little like I’ve grown comfortable in the role of unknown and starving artist.

It’s something of a catch twenty-two. Which is an elegant way of saying I’m damned if I do, but screwed if I don’t. Or something close to that.

While funny enough, from a distance, it’s not in the ‘ha-ha’ way, from up close. That’s because if you focus in, you’ll see the joke is on me. And nowadays, I’m not laughing.

See what I mean? Weird at the best of times. Inscrutable for the rest of it. Maybe that’s it, there. It’s just not worth the trouble. Not when so many lower risk bets are available.

All the same, understanding doesn’t make accepting any easier.

So, there you have it. Is the writer suffering from a preponderance of doubt? Or a fondness for the ease granted by anonymity? Is he a no-account hack getting his just desserts? Or just another wasted talent? Is he lazy? Or burned out? As the reader, it’s your call.

For the writer, meanwhile, it’s more of the same.

Thanks for being here. And for sharing this with anyone you think might like to read it.

-              TFP

    July 3, 2023